I’ve read multiple articles in the last year detailing the phenomenon of “pandemic organizing/decluttering/good-will-ing” – stuck at home day after day with all of our things, many people are finally deciding to tackle that home organization project they’d been putting off. Well, I finally succumb to the trend a few weeks ago and tackled a clean out of our spare room – this room houses my “studio space” ( = folding table shoved into one corner of the room). This hasn’t been good for new art production but it has been good for personal art archeology! I’ve been uncovering some lost/forgotten/unsent mail art in the last few weeks and thought I’d bring them back into the light. I hope everyone is staying safe and sane as we pass this one year anniversary of the pandemic.
A pleasant surprise across my WP Reader Dashboard – SJB Creates posted a video of Pandemic Postcard Exhibit at the Annmarie Sculpture Garden & Arts Center in Maryland. They had submitted some postcards and their cards are featured at around minute 10 of the video. I watched in anticipation, since I had submitted a card way back at the beginning of the pandemic (feels like 10 years ago now) and was thrilled to see my card around 1:30 of the video! The direct link to the Annmarie Sculpture garden is here. The video is a fantastic compilation of postcards from all over.
In 2020, Annmarie Sculpture Garden & Arts Center in Maryland invited all ages to send homemade postcards to be included an important community art exhibit. The goal was to collect and exhibit postcards from the community that express our feelings and share how we all coped during the social-distancing period of the COVID-19 crisis. I […]Pandemic Postcard Exhibit — SJB Creates Blog
Flashing red yellow orange
the poppies chase
me up the off-ramp
California poppies bloom here in the spring time – sprouting up in even the most marginal of habitats – freeway shoulders and empty lots. I wrote this haiku last spring, but took awhile to get around to working on a collage for it. I’m posting it now, in the “deep” winter here (I know it’s 73 degrees F here today, but we’ve had one brief rain storm and some Santa Ana winds! Weather!), as a reminder of what’s to come: a new year, a new season, of hope. The transfer on this one was done at the same time as my last Highway Haiku, but it turned out a little “better” than “Osprey” – for no discernible reason.
I broke out my acrylic paints for the first time in a long time – it felt good to just paint without any real goal in mind, just mixing color and having fun. I had some Fuyu persimmons in my fruit bowl and so they became an impromptu still life. I’ve always loved the color of persimmons – they always evoke autumn for me (they ripen here in October/November). I painted the top picture over strips of newspaper to give it more texture.
A few weeks ago I ran across a blog calling for artists and writers to submit recipes to share to help each other through the pandemic. I thought it sounded fun and community minded…but I did not get it together in time to participate in the call! But in the spirit of the Thanksgiving holiday tomorrow, I’m going to share my recipe for Persimmon cookies. My grandmother gave me the recipe, but I’m 98% sure she got it from a cookbook (so it’s not some ancestral family recipe or anything). I’ve baked them many times and they make the whole house smell amazing and it is a fun way to entice Persimmon-doubters to try the fruit.
Persimmon Spice Cookies
1/2 cup butter
1 cup sugar
1 cup of persimmon pulp (I’ve used both common varieties of persimmon – fuyu and hachiya. Hachiya gives a stronger persimmon flavor, but you have to wait until the fruit is extremely ripe before using due to astringency)
2 cups sifted flour
1/2 teaspoon salt
1 teaspoon baking soda
1/2 teaspoon baking powder
1/2 teaspoon cinnamon
1/2 teaspoon nutmeg
juice and grated peel from half a large orange
1/8 teaspoon ground cloves
1 cup finely chopped pecans (optional – I don’t use but it’s in the original recipe)
1 cup golden raisins (I’ve also used dried cherries and that works too!)
Cream butter and sugar. Beat in egg and add persimmon pulp. Sift all dry ingredients together and stir into egg mixture. Add pecans and raisins (if using). Drop by spoonful on greased cookie sheet. Bake for 375 degrees F for ~12 minutes. The cookies should be soft and cake-like. Enjoy!
For my friends and readers in the U.S., I hope you have a happy and safe Thanksgiving holiday! I myself am staying home this year, so no travels for me this year – the first time in a very long time!
What thoughts I have of you, Walt Whitman, for I walked down the sidestreets
under the trees with a headache self-conscious looking at the full moon…
Allen Ginsberg (1926 – 1997)
Some of the illustration boards that I cut up for my Popo Postcard Festival cards included the practice and palette boards for this painting I did a few years ago. Thus, I was inspired to dig it out of the IP archive! Don’t worry, the painting itself didn’t get the hatchet – it is one my few completed acrylic paintings that I still really like. The text of the original post from 2016 is below:
“This painting was one of two that I did for Matthias over at Beat Company (you can see the other one here edit Oct 13, 2020 – link broken and removed, sadly, Beat Company is no longer active) to mark the anniversary of Allen Ginsberg’s passing on April 5th, 1997. The inspiration for the piece was the footnote to Howl and a photograph of Ginsberg as a young man in Berkeley, California. When Matthias didn’t wind up using this painting for the anniversary post, I decided to post it here on Illustrated Poetry – but the more I looked at it, the more I realized it reminded me of the opening lines of A Supermarket in California. It is one of those cases where the art knows more than I do! You can read the entire text of A Supermarket in California here. Painting, acrylic on illustration board, by me. Have a wonderful week!”
An amazing range of responses to this prompt! I am totally blown away. I encourage you to put on your best sci-fi/space music and scroll through and enjoy.
By way of a preface to this week’s Kick-About, some info courtesy of Judy Watson: “TRAPPIST-1e is one of the most potentially habitable exoplanets discovered so far. Your descendants may be living there one day. It is similar to the size of Earth and closely orbits a dwarf star named TRAPPIST-1 which is not as hot or bright as our sun. One side of TRAPPIST-1e faces permanently towards its host star, so the other side is in perpetual darkness. But apparently the best real estate would be the sliver of space between the eternally light and the eternally dark sides – the terminator line where temperatures may even be a cosy 0 °C (32 °F).”The Kick-About #11 ‘Trappist 1e’ — Red’s Kingdom
I promised some failed experiments today and so I present two recent ones that just didn’t turn out. Although taking the extra effort to photograph these and prepare this post has endeared them to me more than I expected. I find myself looking at the photographs and slowly, partly redeeming them…so “Perpetual Little Particles” came about because I had just purchased some Light Pumice Gel at the art store and my first transfer with it went flawlessly (that one became a postcard that was posted on IG on Wednesday, actually). In my excitement, I tried another bigger transfer – and I’m not sure if I applied the medium too thickly or what, but it came apart as I pulled the plastic sheet away. But I can say the Light Pumice Gel gives the texture that it promises on the tub and it reminds me of fine sand at the beach.
This next one was a case of handling the piece too much. The initial transfer of a photograph of the author James Baldwin went perfectly – I was thrilled with how it looked over the foil backing. And so, if one transfer was good, more must be better! I wound up having a gummy mess with the different media applied too thickly. I’ve considered sanding down the gummed up areas to see if that will salvage the piece and seeing it again for the post has reinvigorated my will to do that.
The results are in! See below for the compilation of responses to the Kick-About #10. It was fantastic to see that other artists did assemblages as well – the inspiration emanating from Joseph Cornell’s life and work is almost too strong to resist…
My piece, “Albatross Box”, featured some of the text of the “Rime of the Ancient Mariner” by Coleridge, which felt very relevant and poignant right now – and it turns out that at least a writer for The Atlantic agrees with me!
“The Rime of the Ancient Mariner was made for 2020“
Thank you, Jilanne, for sharing the article!
I don’t mind admitting I’ve spent a few moments dabbing my eye as I put this latest showcase of new work together in response to Joseph Cornell’s Romantic Museum! There’s a lot of love in the mix this week, with reflections on beloved relationships, time passing, and the making and keeping of memories. If the last Kick-About was a short ride in a fast machine, the Kick-About#10 is about the long ride we’re taking together.The Kick-About #10 ‘Romantic Museum’ — Red’s Kingdom
Wanted to share the results of Kick-About #9 – some great stuff from Kerfe, Phil (both Phils), Gary, Francesca, so many more!
In marked contrast to our last creative prompt, which encouraged us to reflect on the slow, attenuated life-cycles of the cicada, this week’s jumping-off point invites adventures in velocity. As per, the range of responses is a delight. My advice? Slow down and have a really good look.The Kick-About #9 ‘Short Ride In A Fast Machine’ — Red’s Kingdom
To keep the pressure low, I always give myself a little pep talk as the deadline for the Kick-About on Red’s Kingdom blog nears, “don’t worry, if Phil announces the theme for the next Kick-About and you don’t have a single idea, that’s okay – it’s totally okay.” But when he announced that the theme for Kick-About #9 was a musical composition by John Adams entitled a “Short Ride in a Fast Machine,” oh, I had ideas. Because there is an incredibly fast machine operating inside of you – countless times a day, taking you on a too short ride from the moment of conception until the day you die: your DNA replication machinery. This complex machine, made up of dozens of components, makes an exact copy of your DNA in preparation for your cells to divide.
First, the prompt:
Next, the connection: There are a lot of animations of what the DNA replication looks like inside of your cells, but this one is short (only 1 minute) and does a good job of showing how fast and complex this machine truly is:
I went back to an A4 paper sized collage, which I had done for the first Kick-About I’d participated in (Kick-About #4: Orphée). I like how this format lets a story form freely around the images. But it does present a challenge for me to photograph and/or scan. The top image was the best photograph I could capture and below are some close-ups.
The overlaid transfer print is of the DNA replication machinery (same as shown in the video) midway through making a copy of the genome. The imperfect transfer speaks to the fact that DNA replication does go awry sometimes – as we age, in certain diseases such as cancer, and in some inherited diseases. I was really inspired by Kerfe’s stitched Cicada wings in the last Kick-About and decided to continue the DNA helixes by stitching, letting the ends unravel. We are learning more about our genome all the time, but human heredity is extremely complex, and not all of it is written in the DNA code itself. We have much yet to discover and even more to understand.
In the end, it is always too short of a ride – but at least the journey is made, in part, on this very fast, very elegant, machine inside of you.