collage

Highway Haiku and my piece up at Ekphrastic Review!

Purple, green, and black multi-layer collage overlaid with haiku

On a street light
at the highway 8 interchange
an osprey perches

This was one of those transfer prints that didn’t go as planned – as goes so much of life these days – but I have committed to posting the highway haiku, no matter how the transfers turn out, so here it is! I’ve decided that the sparse transfer of the words reflects the oh-so-brief glimpses I’ve gotten of this osprey perched on a highway light. It’s actually the first osprey I’ve seen in the wild here and thankfully they are distinctive and easy to identify, otherwise there’d be no hope for me to say what species of bird it was as I speed around this interchange at 60 mph!

Another unexpected thing that happened this week was that a short creative non-fiction piece I submitted to the Ekphrastic Review was accepted! My thanks to Lorette Luzajic and the editors at the Ekphrastic Review. Head on over HERE to check out my “21 Thoughts on Warhol’s Campbell Soup Cans” as well as all the other creative responses to Warhol’s iconic image of a can of Campbell’s Tomato Soup.

Death of Camille Pissarro – November 13

collage of eyes in the shape of the U.S. Virgin Islands overlaid with the words of the poem

Camille Pissarro Visits Charlotte Amalie for the Last Time

The hills have more houses
and there are no more clipper ships
the roads curl like smoke from the missing jungle
But the sand in the synagogue is the same
and my memory of the people
the ebony lady with her water jug
she still smiles at me descending
the hill with her hand on her hip

The impressionist painter Camille Pissarro died this day in 1903 – he is not only famous as an artist in his own right, but he was also known as the “dean of Impressionist painters.” He mentored and inspired almost every Impressionist name you can think of – C├ęzanne, Gauguin, Renior, Seurat, and van Gogh. But one thing I learned about him for my history poem (I guess if I’m not writing haikus, I shouldn’t call them history haikus anymore!), was that he was born to a Jewish family in Charlotte Amalie on the island of St. Thomas, in the Danish West Indies. This is now part of the U.S. Virgin Islands. I had always associated Pissarro with France and the French countryside, so it was fascinating to read about his early life and works in the Caribbean. I visited the U.S. Virgin Islands about seven years ago and toured the synagogue in Charlotte Amalie – it is the oldest synagogue in the U.S. and the second oldest in the western hemisphere. One of the most unique features of the building is that the floor inside is overlaid with a thick layer of sand. The reason given on our tour was that the sand is in remembrance of the persecution of Jews during the Inquisition in Spain and Portugal – the sand muffled the sound of worship in secret synagogues.

Monet Refuses the Operation – Mueller

Photograph of wood panel wall with bright sunlight overlaid with words Lisel Mueller's poem

The post I am working on for Friday to mark the death of Camille Pissarro in 1903 reminded me of this post I did six and half years ago. I took the photograph in the hallway of an old converted house in Cambridge, MA – I was helping a friend of mine move out of the attic apartment. The light was just like that, pouring through a circular window at top of the stairs. Mueller’s poem came almost immediately to mind; this post is still one of my favorite very early ones from my blog. To read Mueller’s whole poem, go here.

World Day to Protect the Environment in War – Nov. 6

collage on pink paper with orange pig standing on a pile of black torn paper with overlaid poem

On a foggy evening, a black-bristle
boar said to the old poet,
“In some forests, a rooting pig
will find metal shards,
more skulls than soil, or –
at the last – a thin rusted tube.”
The grandfather boar huffed, “Poof!
He is a crater in the woods.”
He eyed the path over Mal Paso Mountain.
“I told you this world is a terrible place.”

Today is the International Day for Preventing the Exploitation of the Environment in War and Armed Conflict. Unfortunately, the name doesn’t roll off the tongue and neither does its U.N. abbreviation – IDPEEWAC – so some calendars call it World Day to Protect the Environment in War. Before looking at the historical events for November 6th, I’d never heard of this observance, but it is a topic that has long interested me. Quite by accident, about 20 years ago, I’d stumbled across and purchased Donovan Webster’s excellent book Aftermath: The Remnants of War at a remainder sale at a local bookstore. His book deals primarily with what war leaves behind: landmines, unexploded ordinance, and mass graves. These remnants leave vast swaths of land around the globe unusable and dangerous for generations – possibly forever, until they are cleared. This does not even touch on such things as intentional water contamination, arson, or deforestation that occur during wars.

My poem was inspired by Robinson Jeffers’ poem “The Stars Go Over the Lonely Ocean.” You can read his poem here at Poetry Magazine (scroll down halfway to find the start of the poem). Jeffers was deeply concerned about environmental destruction as well as a staunch opponent of the U.S. entering WWII. In the 1940’s these were extremely unpopular stances and Jeffers lost friends, public standing, and professional opportunities due to his opinions. Jeffers died in 1962, long before IDPEEWAC was declared in 2001, but I think he might have appreciated a day devoted to the considerable overlap between war and environmental destruction.


The sinking of U-559 – Oct 30

collage of 5 u-boat shapes with labels overlaid with poem text

A black maw in a blacker sea
“your life for my secrets”
It said and three boys answered
Two stayed with the secrets in the deep
One swam and swam and swam
a tattered book under his arm.

I’ve been yearning to do some more history inspired haiku, so I finally sat down with a calendar and got to it! The event for today that I chose didn’t wind up inspiring a haiku, but something a little longer.

On October 30, 1942, the German U-boat 559 was fatally damaged in a British naval attack and forced to surface. The surviving German crew abandoned ship – but left behind their naval cypher code books and naval 4-rotor Enigma encryption machine. In a decision that would prove invaluable to the Allies, they also neglected to open the sea vents to scuttle the ship. Three British sailor boarded the floundering U-boat and seized the cryptographic materials: only one, Tommy Brown, made it out alive with the German secrets. Due to lying about his age to enlist, Mr. Brown became one of the youngest men to be awarded the George Medal for bravery.

The materials Mr. Brown rescued from the sinking U-boat would help the cryptologists at Bletchley Park – including Alan Turing, the subject of my post on Wednesday – finally break the U-boat specific 4-rotor Enigma encryption and bolstered Allied defenses in the Atlantic against the devastating U-boat attacks.

m lewis redford’s Castrated

black and white and brown collage of a large machine overlaid with the words of M Lewis Redford's poem "castrated"

I have been a fan of m lewis redford’s poetry (and follower of his WordPress blog) for at least 5 or 6 years now – wow, time flies! He posted his poem “Castrated” in early 2015, right around the same time the movie about Alan Turning – “The Imitation Game” – came out in the U.S. and I was really struck by his poem about Turing. I did an illustration for it back then (you can see his post about that HERE or go the end of this post).

I’ve been thinking about his poem recently for a number of reasons – one is a history poem post I am working on for later this week. Since I couldn’t get the poem out of my head, I decided to try another illustration of it using some of my more recent transfer and collage techniques. Plus it was a great excuse to spend time again with redford’s poetry and website! For this attempt I wanted something more mechanical, more “flawed machine.” The format was smaller, so I didn’t get the whole poem on there. To read the complete poem, see my original illustration below the “read more” tag or visit his post.

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Draw Deep

collage of black and white parachutes over a blue ink background with a scrambled letter haiku

Draw deep
the wave
buoy now

It’s been one of those weeks – extra busy at work and extra things to do for my kid’s school and then extra life things (i.e. I finally sat down and worked through my ballot, with all the dozens of initiatives and local offices, and got that turned in today! Please everyone who is able, VOTE!). And then the little time I had leftover for art got eaten up by some mishaps (ever had a cat sit on your collage and some of the pieces stick to her butt?) and really bad blurry iPhone photography (maybe I do need a new phone?). But here we are! It’s Friday and we made it through another week. One good thing that happened this week is that I rediscovered a book on Surrealist techniques on my bookshelf and decided to let the spirit of the surrealists influence my haiku for today. I started by applying some cut out letters pulled at random from an envelope to this card before I pulled the transfer print. The word that stuck out to me was “buoy” and so I built a jumbled up poem around it. Reflects my jumbled up week pretty well, I think.

Everyone stay safe and healthy and sane and have a good weekend!

Trappist-1e Home Lithography

grid of nine monographs of planets in neon colors

I was really excited when Phil contacted me in early September and asked me to choose the next Kick-About theme. I bandied about a few ideas in my head before finally settling on the Trappist-1e exoplanet that was discovered just a couple of years ago. I remember when they announced the discovery of the planets that are orbiting the Trappist 1 star: a group of friends and I had a whole conversation about them while on a long training run. The planets Trappist-1e, -1f, and -1g fall in the habitable zone of the Trappist 1 star and they all have very short “years.” Trappist-1e has a year that is only 6.099 Earth days long. If humans were ever to settle on another planet with such a drastically different orbit, would we change the way we measure time? Years? Would it change the way we consider aging?

The prompt:

Artist rendering from wikipedia of the Trappist 1e exoplanet
Text box describing the discovery of the Trappist-1e exoplanet

For this Kick-About, I returned to making monoprints in the same vein as I did for the Alice Neel prompt from the Kick-About #5. I wanted something spontaneous and bursting with energy. I sat down and calculated how many Trappist-1e years I would be now and it was humbling to say the least: I am 2,307 Trappist-1e years old. The other two numbers represent my Earth ages: 38 years old, having spent 14,072 days orbiting our star. We don’t actually know what Trappist-1e looks like (the picture in the prompt is an artist’s rendering), so I let my imagination run wild making planets on the inking plate.

A few closeups of my favorites from the grid:

There were some monographs that didn’t make it into the grid – one is below – I plan to post the other “outtakes” on Instagram in the next few days. I am very excited to see what everyone came up with for the Kick-About #11, which will be up tomorrow!

monograph of black abstract planet with green edges

being repelling moving apart

three brown ink wash faces with black ink outlines transfer printed words overlay
brown ink wash square with black outline face and word "Being"
closeup of middle ink wash square face with "repelling" transfer printed on top
right hand ink wash square face with "moving apart" transfer printed over

Posting another mini-art experiment that turned out better than I expected – doing some ink washes and drawings before overlaying the transfer print. There is a part of me that feels I should also post some failed experiments – because that is the unvarnished truth: many don’t turn out. These days, because of all the transfer printing I’m doing, the transfer fails completely or pulls off the under-layers or dries really weird.

I think about the highly edited nature of social media and the illusion it gives of perfection – but then the other side of my brain is just so happy when something works that it says “No, but show that one! Blargh on the ones in the recycle bin!” So, just know that the truth is that experiments fail as often as they work (and if we shift to science, please know that 90% or more of experiments in the lab fail) and next week I’ll pluck up some courage to post some failures too!

Dead Center – Atwood

Black ink lettering of Ann Atwood's haiku "dead center"

dead center
in the center of her flowers
Georgia O’Keeffe

Ann Atwood

I was cleaning out a portfolio of old drawings the other day when I stumbled upon the ink lettering I did for a past post on Ann Atwood’s haiku “dead center.” Back then, I wound up using the lettering for an overlay in a digital collage (reposted at the end), but with the perspective of time, I’ve decided I really like the simplicity of the original. So I rescued it from potential recycling and was pleasantly surprised to find that there was a “B-side” drawing as well!

Black ink wash and line drawing of woman singing

At the time of my original post, there was almost no information on Ann Atwood online. Her haiku were listed in numerous anthologies and the poems could be found on the internet, but the poet herself was a mystery. This seems to still be the case, as I found a post (click here) from the Haiku Foundation (featuring my collage – which was another pleasant surprise!) talking about the limited information we do know and calling for anyone with more to get in touch. The post also features many more of Ms. Atwood’s beautiful haiku.

Digital collage - purple paper with line drawing of woman and overlay of "dead center" haiku

The original digital collage for “dead center.”