moon slice pie peeking we rush to see the comet before it fades
This transfer print was a bit of an experiment – when I was cleaning out my father’s house, I found a box of old tarnished ultra-thin silver leaf for gilding or embossing. I’m guessing my Dad got this at a garage sale or the like since he does not do anything (hobby or past career-wise) that would require books of silver leaf. I saved the box and decided to see if I could transfer print onto one of the leaves. There was some trial and error (still ongoing) but it more or less worked! The scan of the piece doesn’t do the texture and light quality justice. It’s been almost a year since I’ve gone out stargazing in the desert and I miss it. This poem (a haiku in syllables if not form) was inspired by the times we’ve been racing to beat the moonrise and set up telescopes and cameras in order to see or photograph something astronomical.
Flashing red yellow orange the poppies chase me up the off-ramp
California poppies bloom here in the spring time – sprouting up in even the most marginal of habitats – freeway shoulders and empty lots. I wrote this haiku last spring, but took awhile to get around to working on a collage for it. I’m posting it now, in the “deep” winter here (I know it’s 73 degrees F here today, but we’ve had one brief rain storm and some Santa Ana winds! Weather!), as a reminder of what’s to come: a new year, a new season, of hope. The transfer on this one was done at the same time as my last Highway Haiku, but it turned out a little “better” than “Osprey” – for no discernible reason.
On a street light at the highway 8 interchange an osprey perches
This was one of those transfer prints that didn’t go as planned – as goes so much of life these days – but I have committed to posting the highway haiku, no matter how the transfers turn out, so here it is! I’ve decided that the sparse transfer of the words reflects the oh-so-brief glimpses I’ve gotten of this osprey perched on a highway light. It’s actually the first osprey I’ve seen in the wild here and thankfully they are distinctive and easy to identify, otherwise there’d be no hope for me to say what species of bird it was as I speed around this interchange at 60 mph!
Another unexpected thing that happened this week was that a short creative non-fiction piece I submitted to the Ekphrastic Review was accepted! My thanks to Lorette Luzajic and the editors at the Ekphrastic Review. Head on overHEREto check out my “21 Thoughts on Warhol’s Campbell Soup Cans” as well as all the other creative responses to Warhol’s iconic image of a can of Campbell’s Tomato Soup.
I have been a fan of m lewis redford’s poetry (and follower of his WordPress blog) for at least 5 or 6 years now – wow, time flies! He posted his poem “Castrated” in early 2015, right around the same time the movie about Alan Turning – “The Imitation Game” – came out in the U.S. and I was really struck by his poem about Turing. I did an illustration for it back then (you can see his post about that HERE or go the end of this post).
I’ve been thinking about his poem recently for a number of reasons – one is a history poem post I am working on for later this week. Since I couldn’t get the poem out of my head, I decided to try another illustration of it using some of my more recent transfer and collage techniques. Plus it was a great excuse to spend time again with redford’s poetry and website! For this attempt I wanted something more mechanical, more “flawed machine.” The format was smaller, so I didn’t get the whole poem on there. To read the complete poem, see my original illustration below the “read more” tag or visit his post.
I promised some failed experiments today and so I present two recent ones that just didn’t turn out. Although taking the extra effort to photograph these and prepare this post has endeared them to me more than I expected. I find myself looking at the photographs and slowly, partly redeeming them…so “Perpetual Little Particles” came about because I had just purchased some Light Pumice Gel at the art store and my first transfer with it went flawlessly (that one became a postcard that was posted on IG on Wednesday, actually). In my excitement, I tried another bigger transfer – and I’m not sure if I applied the medium too thickly or what, but it came apart as I pulled the plastic sheet away. But I can say the Light Pumice Gel gives the texture that it promises on the tub and it reminds me of fine sand at the beach.
This next one was a case of handling the piece too much. The initial transfer of a photograph of the author James Baldwin went perfectly – I was thrilled with how it looked over the foil backing. And so, if one transfer was good, more must be better! I wound up having a gummy mess with the different media applied too thickly. I’ve considered sanding down the gummed up areas to see if that will salvage the piece and seeing it again for the post has reinvigorated my will to do that.
Posting another mini-art experiment that turned out better than I expected – doing some ink washes and drawings before overlaying the transfer print. There is a part of me that feels I should also post some failed experiments – because that is the unvarnished truth: many don’t turn out. These days, because of all the transfer printing I’m doing, the transfer fails completely or pulls off the under-layers or dries really weird.
I think about the highly edited nature of social media and the illusion it gives of perfection – but then the other side of my brain is just so happy when something works that it says “No, but show that one! Blargh on the ones in the recycle bin!” So, just know that the truth is that experiments fail as often as they work (and if we shift to science, please know that 90% or more of experiments in the lab fail) and next week I’ll pluck up some courage to post some failures too!