An amazing range of responses to this prompt! I am totally blown away. I encourage you to put on your best sci-fi/space music and scroll through and enjoy.
By way of a preface to this week’s Kick-About, some info courtesy of Judy Watson: “TRAPPIST-1e is one of the most potentially habitable exoplanets discovered so far. Your descendants may be living there one day. It is similar to the size of Earth and closely orbits a dwarf star named TRAPPIST-1 which is not as hot or bright as our sun. One side of TRAPPIST-1e faces permanently towards its host star, so the other side is in perpetual darkness. But apparently the best real estate would be the sliver of space between the eternally light and the eternally dark sides – the terminator line where temperatures may even be a cosy 0 °C (32 °F).”
I was really excited when Phil contacted me in early September and asked me to choose the next Kick-About theme. I bandied about a few ideas in my head before finally settling on the Trappist-1e exoplanet that was discovered just a couple of years ago. I remember when they announced the discovery of the planets that are orbiting the Trappist 1 star: a group of friends and I had a whole conversation about them while on a long training run. The planets Trappist-1e, -1f, and -1g fall in the habitable zone of the Trappist 1 star and they all have very short “years.” Trappist-1e has a year that is only 6.099 Earth days long. If humans were ever to settle on another planet with such a drastically different orbit, would we change the way we measure time? Years? Would it change the way we consider aging?
For this Kick-About, I returned to making monoprints in the same vein as I did for the Alice Neel prompt from the Kick-About #5. I wanted something spontaneous and bursting with energy. I sat down and calculated how many Trappist-1e years I would be now and it was humbling to say the least: I am 2,307 Trappist-1e years old. The other two numbers represent my Earth ages: 38 years old, having spent 14,072 days orbiting our star. We don’t actually know what Trappist-1e looks like (the picture in the prompt is an artist’s rendering), so I let my imagination run wild making planets on the inking plate.
A few closeups of my favorites from the grid:
There were some monographs that didn’t make it into the grid – one is below – I plan to post the other “outtakes” on Instagram in the next few days. I am very excited to see what everyone came up with for the Kick-About #11, which will be up tomorrow!
Wanted to share the results of Kick-About #9 – some great stuff from Kerfe, Phil (both Phils), Gary, Francesca, so many more!
In marked contrast to our last creative prompt, which encouraged us to reflect on the slow, attenuated life-cycles of the cicada, this week’s jumping-off point invites adventures in velocity. As per, the range of responses is a delight. My advice? Slow down and have a really good look.
To keep the pressure low, I always give myself a little pep talk as the deadline for the Kick-About on Red’s Kingdom blog nears, “don’t worry, if Phil announces the theme for the next Kick-About and you don’t have a single idea, that’s okay – it’s totally okay.” But when he announced that the theme for Kick-About #9 was a musical composition by John Adams entitled a “Short Ride in a Fast Machine,” oh, I had ideas. Because there is an incredibly fast machine operating inside of you – countless times a day, taking you on a too short ride from the moment of conception until the day you die: your DNA replication machinery. This complex machine, made up of dozens of components, makes an exact copy of your DNA in preparation for your cells to divide.
First, the prompt:
Next, the connection: There are a lot of animations of what the DNA replication looks like inside of your cells, but this one is short (only 1 minute) and does a good job of showing how fast and complex this machine truly is:
I went back to an A4 paper sized collage, which I had done for the first Kick-About I’d participated in (Kick-About #4: Orphée). I like how this format lets a story form freely around the images. But it does present a challenge for me to photograph and/or scan. The top image was the best photograph I could capture and below are some close-ups.
The overlaid transfer print is of the DNA replication machinery (same as shown in the video) midway through making a copy of the genome. The imperfect transfer speaks to the fact that DNA replication does go awry sometimes – as we age, in certain diseases such as cancer, and in some inherited diseases. I was really inspired by Kerfe’s stitched Cicada wings in the last Kick-About and decided to continue the DNA helixes by stitching, letting the ends unravel. We are learning more about our genome all the time, but human heredity is extremely complex, and not all of it is written in the DNA code itself. We have much yet to discover and even more to understand.
In the end, it is always too short of a ride – but at least the journey is made, in part, on this very fast, very elegant, machine inside of you.
I wanted to share the compilation post from Red’s Kingdom blog – so much amazing art to look through!
Our last Kickabout prompt, based off Sickert’s painting ‘Ennui’, inspired a range of new work by our participating artists on themes of listless, languor and waiting. When you consider the prolonged incubation times of your average cicada, you could say we haven’t moved all that far this week! That said, we’re a long away from Sickert’s rather drab little parlour, as instead we seek to celebrate the life, times and associations of these extraordinary insects.
I didn’t grow up with cicadas or the sounds of cicadas. There are apparently 30 species of cicada found in California (and 3,000 worldwide), but almost none of them are commonly found or heard in the Los Angeles metro area. I remember hearing my first true ear-ringing buzz-saw worthy cicada at a private campground in Arizona as an adult in my early-twenties. True story: I turned to my friend and asked why the campground would play a recording of such demented cricket noises so loud on the PA system. My friend, who also grew up in suburban Los Angeles, shrugged and said she didn’t know. Rest assured, I have now heard the infamous cicada mating calls many times and have been made to understand how much a part of summer they are for many people around the world.
So when the theme for the Kick-About #8 was announced on Red’s Kingdom blog as simply the word “Cicada,” I knew I wanted to lean towards the absurd a little. What is a cicada to someone who has never heard or seen one? Insects are as vulnerable to climate change and extinction as any other creature – what happens when we start asking after cicadas when they don’t emerge as reliably? Or at all?
I wish to emphasize that no bugs were harmed in the making of this art. I went in search of local insects that had met their demise naturally. I was lucky in finding the Swallowtail butterfly wings right away, but then the supply of large naturally-deceased insects dried up. As they say, the fastest way to make something disappear is to go looking for it on a schedule. I finally found a mostly intact green june beetle. I’m looking forward to seeing what “Cicadas” meant to the other Kick-About participants!
Wanted to be sure everyone had easy access to the results of the latest Kick-About – it is a fantastic assemblage. The next Kick-About theme, Kick-About #8, is posted at the end and so, if the spirit moves you…
Set my phone alarm this time so I posted on the right day! Take that, lockdown induced time blindness! For Kick-About #7 on Red’s Kingdom Blog, the prompt was the 1914 painting by Walter Sickert, titled “Ennui.”
Oftentimes, the prompt sends my mind shooting off in some wild meandering direction. But this time, I really couldn’t get away from the couple in the painting. After doing a little reading about it, this is clearly part of the genius of this artwork: it’s devastating “normality.” I kept saying to myself, “they really need their own space.” I fought that notion for about a week, tried a couple of collages of the whole painting I wasn’t happy with, and then finally gave in and made them their own collages.
The whole Kick-About 7 will be up tomorrow! I’m excited to see where everyone took this prompt. (While you wait for that goodness to drop, check out Kick-About 6, Kick-About 5, and Kick-About 4 – you’ll be glad you did!)
In a testament to this time of lockdown, I didn’t realize what day it was and completely missed the deadline for submitting art to the latest Kick-About on Red’s Kingdom Blog! Kick-About #6 is officially up today, please do check it out – it is another stunning set of entries. I shall set an alert on my phone for the next one!
These are my art responses to this round’s prompt – which was the book by Rebecca Solnit titled “A Field Guide to Getting Lost.” I haven’t read the book and wasn’t going to attempt it – so I worked with the title. My initial thoughts really hovered over the “Lost” part. I recently read a Reddit post about the Vietnam draft lotteries and how there appeared to be heavy bias in the initial lottery towards birthdays at the end of the calendar year. No one knows why – presumably the number draws were random – but there are explanations proposed of simple human error. Birthdays at the end of the year were added to the hopper last and then the whole thing was not properly mixed. These men, born at the end of the year in the years 1946-1950, “lost” that lottery.
My father was drafted in a different round, but the outcome was the same. The top picture is a reverse transfer monoprint I made from a photo of him and my mother shortly after he returned from bootcamp – he’s leaning on his beloved car from high school. The lower print was made from the first photo I could find of him after his first deployment to Vietnam. His face is different. He is different. Which is so strange to me, because I was born after he got out of the service and I’ve never known him any other way but after Vietnam. But making these transfer prints, it had never been more clear to me. It was shocking – and full of loss.
But then Kerfe Roig posted her response to the prompt and it was about labyrinths and journeys and paths. I found it very helpful and comforting. So I made one more transfer print for her poem.
I discovered Phil’s Red’s Kingdom blog through Kerfe Roig (Thank you, Kerfe!) – Phil hosts a group art prompt he calls The Kick-About which is fabulous for discovering new artists to love. I was inspired by the Kick-About #4 prompt, which was a short clip from Jean Cocteau’s “Orpheus”