The results are in! See below for the compilation of responses to the Kick-About #10. It was fantastic to see that other artists did assemblages as well – the inspiration emanating from Joseph Cornell’s life and work is almost too strong to resist…
My piece, “Albatross Box”, featured some of the text of the “Rime of the Ancient Mariner” by Coleridge, which felt very relevant and poignant right now – and it turns out that at least a writer for The Atlantic agrees with me! “The Rime of the Ancient Mariner was made for 2020“
I don’t mind admitting I’ve spent a few moments dabbing my eye as I put this latest showcase of new work together in response to Joseph Cornell’s Romantic Museum! There’s a lot of love in the mix this week, with reflections on beloved relationships, time passing, and the making and keeping of memories. If the last Kick-About was a short ride in a fast machine, the Kick-About#10 is about the long ride we’re taking together.
I confess that I’ve always wanted to make shadow boxes (AKA assemblages) and so when the Kick-About #10 theme was announced as one of Joseph Cornell’s assemblages called “Romantic Museum” – I decided to seize the day and fulfill the dream (click HERE to see Kick-About #9 and the announcement itself). First, the prompt:
I took a cue from the fact that “Romantic Museum” is housed in a case used for storing scientific specimens. I had an old wooden wine box I’d picked up curbside on trash day a while back: I painted it and used it to house the reconstructed bones of seabirds. NOTE: These bones were all found objects – washed-up on the beach near my home, already skeletonized. They are not from the same bird, and most likely are from local seagulls.
On the back of the box, I transfer printed as much of the “Rime of the Ancient Mariner” by Samuel Taylor Coleridge as I could fit (click HERE to read the entire poem). The imagery of sea birds in this poem is so powerful it has seeped into everyday language as the phrase “an albatross around my neck.” Many seabird species are highly endangered – for instance almost half of all albatross species are threatened by the degradation of fishing stocks and habitat loss. This is in addition to the effects of climate change that intensify storms and disrupts sea bird breeding on remote islands. They are caught in an environmental net of human making. I hoped to convey some of this in my “Albatross Box.”
Since finishing the box a few days ago, I have been struck by how different it looks at different times of day. The shadows draw me in and highlight different phrases and words from Coleridge’s poem. Wiring the bird bones together was unexpectedly emotional for me – I know this box isn’t just about the plight of seabirds or found objects – and in that too it finds kinship with “Romantic Museum.”