Going back through the archives, I found this illustration I did last year and I couldn’t resist reposting it. Ms. Knoll’s haiku has the same positive effect on me it always has – and with the front page of the news pretty much universally gloomy, I didn’t think it hurt to post a happy, fun poem. I’m pleased to say Ms. Knoll continues to be extremely active, with a forthcoming poetry book for June 2017 and lots of new poetry focused on social justice and current issues. She always has new stuff happening – her website: http://triciaknoll.com/
Original text of the post:
This haiku puts a grin on my face every time I read it. And it never fails to launch me on an extended trip down memory lane as well – from the greenhouse in my grandparents’ backyard to one I visited once in Iceland. I consider this one of the superpowers of the haiku: they are a reservoir of memories stored in present tense words. Ms. Tricia Knoll is an award-winning poet working and living in Portland, Oregon. Her website, triciaknoll.com, has more of her wonderful haiku as well as links to many of her published poems and books – I definitely recommend a visit! Painting (acrylic on cardboard), digital collage, and composition by me. Have a wonderful weekend!
…In a red world, imprint
the valentine and blush of romance for the dark…
Marvin Bell (b. 1937)
It’s been a little while since I posted a new illustrated excerpt and it seems good timing to post this one – from Marvin Bell’s amazing short poem Mars Being Red (Mr. Bell is helping me continue a space theme after last week’s announcement of the discovery of the TRAPPIST-1 exoplanets, you see). Marvin Bell is a widely decorated poet, including being the first state Poet Laureate of Iowa, and is very active in the poetry community with more than 20 books of poems in print. You can read all of Mars Being Redhere. Monoprint on newsprint by me (it was so so good to be working in this medium again after a long break from it!).
Furthering our theme of exploration and discovery, Little Monster Girl invited me to participate in her Weekly Chat this week – and the theme of the questions is “World Traveler” and is part of Cee’s Share Your World Q&A. Head on over to LMG’s blog, compare our answers (there are some interesting convergences) and sample some of her comics while you are at it! (although, warning: they are not always safe for work)
Ever run out of gas?
No – although I was the passenger once in a car that did run out of gas. The gas gauge was broken and my friend’s system for knowing when to get gas mostly involved her “gut feelings”. We were on the freeway when the engine began to sputter and lurch, and she veered off the next exit. The engine died as we coasted to the top of the off-ramp. There was a gas station right there though and luckily for us, it was downhill.
Which are better: black or green olives?
I love olives, so both. You can’t pick one over the other – a ridiculous notion!
If you were a great explorer, where would you go?
I try to be an explorer in as many ways as I can be today – traveling, meeting people from all over the world who have lived such different and fascinating lives, and expanding our understanding of the natural world as a scientist. Like LMG, I too will be traveling to Southeast Asia in a couple of weeks (perhaps our paths will cross, LMG?), and so the adventure continues!
Favorite 3 Quotes (it is very hard to choose 3, I’d like to say)
“The important thing is not to stop questioning. Curiosity has its own reason for existence. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery each day.” – Albert Einstein (1879 – 1955)
“Above all, it is a matter of loving art, not understanding it.” – Fernand Léger (1881 – 1955)
“Find what you love and let it kill you.” – Charles Bukowski (1920 – 1994)
I even did an illustration for this one a little ways back!
Bonus Question:What are you grateful for from last week, and what are you looking forward to in the week coming up?
Last week I was so grateful to be able to go out with some dear friends to hike in the desert and take 100’s of pictures of wildflowers. We went to Anza Borrego State Park, which is a simply fantastic place and a hidden California gem (no entry fee, no fee to camp in 95% of the park). The visitor center was staffed almost entirely by volunteers, who took the time with each one of us in waiting in line to send us to the best flower viewing locations. It made me grateful for our national and state park systems, which are always sadly underfunded, and the army of volunteers which keeps them going!
Next week I will be teaching a science workshop for high school students and I am looking forward to their infectious enthusiasm! It never gets dull to get excited about science!
unleaf me and go
your shadows are ghosting me
lost blurred indistinct
– Kerfe Roig
I have been introduced to so many of you through Ms. Kerfe Roig’s amazing collaborative blog, Method Two Madness, and vice versa, that it almost doesn’t need an introduction. But if by chance you found your way to Illustrated Poetry by another means, I do strongly recommend you head over to Ms. Roig’s blog and check out the art and poetry posted daily by both Kerfe and her best friend Nina.
Ms. Roig sent me this haiku way back last July, in preparation for a possible series on seasonal transitions. I knew immediately what I wanted to do for an illustration – a textured, layered collage. But two things happened on the way to this post: I needed to take my blogging hiatus and I also kept wondering, “how do I photograph/scan/etc that piece for display on the internet?” These last few weeks, I have been making a lot of new starts, and I am so glad I made this one of them. The world is going through so many transitions, and while they may not be seasonal, this poem still feels timely. Haiku by Kerfe Roig, collage (mixed media on cardboard) by me.
This was an illustration I did last year, finishing it before I had to take my hiatus from this blog. I was in a “no outline” phase, practicing building up an image from repeated mark-making.
Although a corn moon usually refers to the full moon in September, at least there is the lunar connection for the Lunar New Year today. My apologies to Mr. Summers for the long delay between our correspondence and this post! Mr. Summers is a much decorated poet in many of the Japanese traditions. His personal blog, Area 17, can be found here! He also runs an organization, With Words, that brings poetry workshops into schools and to the public in the U.K.
Drawing (ink on paper) by me. Happy New Year to all!
I was immediately impressed by Ms. Jana White’s poem I dream of being a weed, posted way back in February. I’ve read other poems about weeds, both literal and metaphorical, but her take on these hardy little plants is both beautiful and unique. She also created a lovely drawing to accompany her poem (a poet after my own heart!), so I decided to let this one sit for a while and incubate in my imagination. I wanted my illustration to be different and complementary to hers. A photograph of a grasshopper, taken by me on a recent run, became the inspiration to return to this poem and create a photo collage. Ms. White’s blog, Poetry of Light, is wonderful and I encourage a visit over there to experience some of her poetry. To hop directly to the full text and original illustration of I dream of being a weed, click here. Photo collage by me. Have a great Wednesday!
Women and men(both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain
E.E. Cummings (1894-1962)
I distinctly remember struggling with E.E. Cummings’ experimental poetry in school – i carry your heart (probably still his most popular poem) presented no challenge, but much of the rest of his work seemed so strange: it was my first introduction to abstract poetry. I also remember that when I finally read anyone lived in a pretty how town, this was the moment I felt like I “got it.” Oh, that’s what he’s doing, I said to myself with a sigh of relief (for my grade in the class). No longer under the threat of a term paper, I have since come to truly appreciate Mr. Cummings’ experiments with language. But anyone lived in a pretty how town is still my entry point to his work and experimental methods. If you would like to read the whole poem, click here(there is also an audio file of Mr. Cummings reading the poem!). Collage (mixed media on newsprint and digital) by me.
When I tour the Illustrated Poetry archives, I usually find myself in “revision and update” mode; like with any draft, time gives me fresh eyes to see my old posts. But occasionally I come across a published post and think, “no revision necessary, I would do it exactly that way again.” That is a pretty good feeling (rare as it is!), and so I’d like to re-post one that earned such an accolade.
As I mentioned a year ago, this trim quatrain has become the lasting legacy of poet, activist, and educator Sarah N. Cleghorn (1876 – 1959). She devoted her life to working for numerous causes and published a great deal, but the continued fame of The Golf Links has led her to be most closely associated with the movement to end child labor in the United States. Published over one hundred years ago, this poem feels firmly rooted in the past; however, in many parts of the world child labor is a current and ongoing problem. Perhaps this mighty little poem still has work to do…Photograph and composition by me.
i am turning in the gray morning of my life toward home
I am indebted to Mr. Leonard Durso for introducing me to Lance Henson’s work on his most excellent poetry blog (if you aren’t familiar with Mr. Durso’s blog, click here to rectify that oversight!). I bookmarked his post featuring I am Singing the Cold Rain way back in October of last year, but I did not have the medium to realize my illustration for it. Enter transfer printing, introduced to me recently by my illustration class instructor. The line quality was exactly what I was looking for – I made a number of attempts for this verse, but this was the one that clearly spoke the words of the poem. To read the whole poem, also in the Cheyenne language, head over here. Mr. Henson has a blog as well – his poems are haunting and will stay with you for a long time. Illustration (ink transfer onto newsprint) by me.
Sung Po-jen’s illustrated book of poetry, Guide to Capturing a Plum Blossom, was published in 1238 in China, making it the very earliest example of an art book. This masterpiece would have been lost entirely if not for a single copy of the 1261 edition that survived the Mongol conquests. This copy spent the next 600 years passed and sold privately from artist to scholar to collector until its importance was finally recognized in the late 1800’s. Drawing (ink on paper) and composition by me, translation by Red Pine.
I wrote this haiku in response to a Ronovan Writes Haiku Challenge (if you don’t know about these, I do recommend them) almost two years ago – and it is amazing to me that it’s been that long. But it is still one of my favorite haiku I’ve written, as it satisfies the science nerd inside of me, so I am reposting it! The challenge words way back then were “Snail” and “Turtle” and the first thing I thought of was that they both have shells, albeit made of very different materials. “Molluscs” and “Chelonii” are the taxonomic Orders of snails and turtles, respectively. Poem and photo (one from a long ago trip to Sequoia National Park) by me. Have a wonderful Friday!